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Showing posts with label Vampires. Show all posts
Showing posts with label Vampires. Show all posts

Tuesday, May 6, 2008

Psychic Sheilding



Psychic Shielding
by Druidess of Disir

Good shielding techniques should, in my personal opinion, be one of the first few
essential lessons for those seeking to learn how to sense and use their own personal
energies and the energies present in the world around them. And so I offer my own
techniques and experiences on this very important basic lesson.

Most good shielding requires the student have some aptitude at and knowledge of
visualization techniques, which may be combined with meditation. Basic energy sensing
and manipulation is also helpful, although not necessarily required. Both are beyond the
scope of this essay.

Importance of Shielding
I cannot stress enough the importance of good shielding techniques. Opening oneself to
be able to feel and manipulate internal and external energies can also leave one
vulnerable to attack and influence of directed and undirected energies. Below are a few
examples of directed and undirected energies:
• Car salesmen (or any salespeople, for that matter) are notorious schmooze artists.
Part of their innate charisma is a natural ability (subconscious or not) to
energetically push their will upon their customers. This would also apply to any
successful con artist. A good shield on the part of the customer may cause some
vexation to the salesman who is unable to convince him to buy more than he can
afford.

• Most people at one time or another have had the experience of walking into a
room just after a heated argument has occurred. Even though they may not have
witnessed or heard the fight, and the people in the room were acting friendly
toward each other, a good number of people will say they can feel the tension in
the air and may actually be more prone to hostility after entering the room. This
can be thought of as psychic residue, and can strongly affect some people. The
same could be said for a space in which any emotionally charged event has
occurred. Shielding can help keep such freeloading energies from having an
unwanted effect.

• There are quite a number of people who, through either natural ability or good
training, can sense details about other people. That is, people who can psychically
Read another person if that person is not well shielded. Conversely, nearly
everyone could probably come up with the names of a few people who never
seem to let on what they're truly thinking. They are unreadable and probably
very well shielded through either innate ability or practice.

• There are some people who are so negative that they drain other people mentally,
emotionally, physically and psychically. Almost everyone can probably think of
at least one friend or acquaintance who can ruin the best day and make them feel
tired or even physically ill. Effective shielding can reduce or eliminate this effect.

Basic Techniques – Visualizations
The basic techniques for shielding are very simple, but they require quite a bit of practice
at first to be effective. Here are a few simple methods for the novice.
Beginner Visualization (The White Egg)
The most basic shielding technique involves the student visualizing a barrier of some sort
around him/herself. The most basic barrier is probably the sphere or egg of white light.
The technique is as follows:
Ground and center your energy using whatever method you wish. Close your eyes
and breathe deeply for a few minutes. Allow yourself to see your body with your
mind's eye. Hold this image until it becomes stable. Now see your skin begin to
glow with white light. Allow this light to become a layer that covers your entire
body. Let it expand to be as thick as you think it needs to be and continue to grow
outward. As it moves away from the surface of your body, it becomes a glowing
white egg (or sphere) encircling you from all directions. Allow it to expand to the
edge of your personal comfort zone. Know that you are safe within this space, and
allow yourself to feel calm here. Hold this image firmly in your mind for several
minutes before opening your eyes.

Use this visualization whenever you feel you need protection, and particularly before
doing any other energetic or psychic work. It is also a good practice to begin your day
with this visualization and to consciously draw your attention toward the mental image of
your shield throughout the day whenever you think about it or when you feel you need it.
At first, it may be necessary to go through the entire visualization (which may take some
people up to 10 minutes or so) every time you want to shield yourself. This is perfectly
normal. It should become much easier with practice, and it may eventually require only a
few seconds to complete the visualization.

Visualization Variations
There are many different ways to visualize a shield around your physical body. Some
people like the white light method. Others prefer to visualize something more familiar
and solid around them than a glowing white egg. I have included below some variations
to use in place of the white egg. Just use the exercise above and replace the egg with
whatever else you'd like to use.

• Marshmallows or pillows: to give the feeling of a little extra padding between you
and whatever you happen to face.

• Wire mesh: filters out the bad stuff while still allowing Good vibes to come
through.

• Mirror: reflects negativity back to the originator.

• Brick walls: for especially tough shields.

• Fire: burns away bad stuff.

and the list goes on! Whatever you can imagine that you think would be a good shield
you can use. The important thing is that it makes you feel safe and that you practice with
it enough that you are comfortable putting up your shield on short notice.

Intermediate/Advanced Techniques – Energy Manipulation
The more advanced practitioner may want to incorporate energy manipulation into their
visualization exercises when shielding. The basic technique is again very simple and the
variations are only limited by the imagination and ability of the practitioner.

Basic Energy Shield
Ground and center your energy. Become aware of your personal energy field.
Begin to expand it outward a comfortable distance from your body. Concentrate
the energy at the edge of the field so that it becomes thick and impenetrable.
Focus on this long enough that the field does not disperse easily.
Here is a second method for this exercise:
Ground and center your energy. Bring your hands together in front of you and
form a Ball of energy between your hands. Allow this ball to grow in size and
intensity until it surrounds you on all sides. Focus long enough that the shield
does not disperse easily.

Once again, the exercise may be used whenever you feel like you need protection or in
the morning as part of beginning your day. With practice, this exercise should become
easy enough that the whole process takes only a few seconds.

Energy Shield Variations
The energy shield can be varied in much the same way that the visualization shield can be
varied. Energy for the shield can be drawn from different sources, including the earth
itself. The possibilities are truly limitless.

Proper shielding techniques should be one of the cornerstones of any magical or psychic
training. The techniques are so simple almost any beginner can perform them and are
easily mastered with a little practice. Don't be afraid to experiment with the techniques
until you find one that works well for you. There are probably as many methods for
shielding as there are people who do it, and there really is not a single Right way. Nor
are there any wrong ways.

Copyright „ 2003 Lubbock Seeker's Society. Permission is given to redistribute as long
as proper credit is given to the author and this copyright notice is attached. The author
can be contacted at druidess_of_disir@sbcglobal.net.
Source: http://www.lubbockpagans.org/articles/shielding.pdf

Sunday, April 27, 2008

The Strigoi




Out of what crypt they crawl, I cannot tell
But every night I see the rubbery things
Black, horned, and slender, with membraneous wings
And tails that bear the bifid barb of hell.
They come in legions on the north wind's swell,
With obscene clutch that titillates and stings,
Snatching me off on monstrous voyagings
To grey worlds hidden deep in nightmare's well.
-- H.P. Lovecraft, "Night-Gaunts"


The strigoi are in encyclopedia terms the undead, both spirits and physical forms, that rise from the grave to seek vengeance or otherwise haunt the countryside, feasting on either the life force or actual flesh and blood of its victims. The Romanian engage in the following practice to rid the burdened of the strigoi:

There are a few variations on this ritual depending on region and oral tradition, but the basics remain the same: The suspected deceased is exhumed by the victimized with more often than not a holy man present, for protection I suppose, and more often than not without consent from the dead man's family. The victims then cut out the heart and burn it to a crisp, then grind it into a fine powder. The powder is then mixed with a few ingredients including water, maybe oil, and often alcohol. Finally the concoction is heated to a near boil to make sure the powder is soaked and evaporated into the other ingredients, and a cup is passed between the victims who proceed to drink the brew of powdered heart.

Today only rural areas of Romania practice this, and even then it isn't very often the dead rise. Even though modernized parts of Romania no longer practice acts of this nature, urban and rural alike still both believe and fear these beings and take superstitious measures to evade their attention.


Introduction

A bloodline rarely known outside of Romanian folklore, the Strigoi have existed for countless centuries, an almost primordial branch of the Nosferatu haunting the wilderness of Transylvania and Wallachia. Long divorced from the clan which spawned them, the Strigoi have become something of an isolated strain, a self-contained pocket of creatures unconnected to the vast world of the Kindred glittering beyond their impenetrable forests. And yet this isolation has molded them in ways far more terrible than the shaping forces of Kindred society, for the Strigoi still possess the ability to transform into monstrous beings; winged demons that haunt the night sky like relics from a mythological past. . . .

Description

The Strigoi are a very unusual and fairly regional bloodline, and although no one has ever traced their origins directly to the Nosferatu, one could hardly draw any other conclusions. The Strigoi are hideously deformed, possess a high degree of obfuscation, and share a common geographical origin and mythology with the Nosferatu. But unlike their more prolific cousins, the Strigoi do not create ghouls or reproduce in the traditional vampiric fashion, and it is over these two important differences that the Nosferatu and the Strigoi may be clearly marked as distinct species. Like all Kindred, a Nosferatu is free to inflict the curse of the Embrace upon any poor wretch he sees; but for reasons that seem more superstitious than logical, the Strigoi may only Embrace a select group of mortals: witches who have already been made into Strigoi ghouls, and humans who have committed suicide.

How this is done creates an ecology unique in the vampire world. The vitae of the Strigoi has two distinct phases; the "quick" vitae of the Strigoi ghouls, and the "undead" vitae of the Strigoi vampires. Both types of vitae possess the power to engender progeny, and through a process that closely resembles the Embrace, Strigoi ghouls have the remarkable ability to create other Strigoi ghouls. Of all the clans and bloodlines of the Kindred, only the Strigoi have developed this separation of vitae, and a Strigoi ghoul is almost a new entity unto itself, more of a strange fusion between a vampire and a witch than a ghoul in the traditional sense. The unusual nature of the Strigoi and their ghouls is reflected in Romanian folklore, which distinguishes between them by name. The ghoul form is called a strigoi vii, or "living vampire;" and the true undead form is called a strigoi mort, or "dead vampire." The plural forms are strigoi and strigoi morti respectively; and though the Bloodline is commonly just called Strigoi, traditionally strigoaica should be used instead of strigoi in the case of a female.

Strigoi Vii

A strigoi vii is a unique class of ghoul, and is best viewed as an evil witch with partial vampiric abilities. Indeed, the word strigoi itself is derived from the Romanian word striga, meaning witch. This in turn comes from the Latin cognate strega, which has its origins in strix, the word for a screech owl; a creature often likened to a child-devouring demon of the night.

"Witch" here refers to the word in its most debased form; no wiccans or shamans are the strigoi, but unholy creatures from Romanian folklore, adept at black magic and intent on preying upon the pure and the innocent. They shun the sunlight, preferring to dwell in the blackest forests and emerging only at night. They have the ability to shapechange into animal form, often appearing as a bat, a wolf, or screech owl. They can leave their body behind while their spirits roam free, hunting for prey -- and their hunger is terrible indeed, for the strigoi rely on only two things for sustenance, blood and psychic energy. A strigoi vii can enter the dreams of a sleeping child and transform them into nightmares, riding the child's dreams until dawn and leaving the victim drained of psychic energy; an attack more feared than the draining of blood. These poor souls may grow quite sick, and if hagridden frequently, may even die. It is also said that the strigoaica -- the female strigoi -- are more powerful than the males, and according to folklore their very presence can ruin harvests, spoil milk and butter, stop cows from producing milk, and may even wreck marriages.

The Witch's Kiss

As mentioned previously, the strigoi have another power quite unique to ghouls -- the ability to create progeny. A strigoi vii may actually perform a partial Embrace, an act that dooms a mortal into becoming strigoi, a gradual transformation that may last over ten long and painful years. Not any mortal, however, may be so transformed by the Witch's Kiss; the strigoi are bound to select their victims from a rather exclusive pool. Candidates include witches and satanists, the unbaptized and the excommunicated, children born with a caul or a vestigial tail, the congenitally deformed, and the seventh son of a seventh son.

The Witch's Kiss is carried on much like a proper Embrace. The strigoi vii must drain the blood of her victim, a process that usually takes over a week of nightly visitations. Then, upon the last visit, the dying human must be coerced into drinking the blood of the strigoi vii. This is usually followed by a terrible sickness and a long convalescence, and often the victim never fully recovers his health. Not that it really matters, for by that time the unfortunate soul is doomed. After a few years of dormancy, the metamorphosis begins, and the progeny will begin to acquire the characteristics of a strigoi vii. One of the first signs is often a shift in personality -- almost as if something good inside the person has just curdled and died, leaving behind a sour and vindictive shell. People begin avoiding the poor wretch, and many notice the appearance of a faint but foul odor. Deformities begin appearing or growing worse, the skin dries up and starts oozing pus, and bones begin to elongate. Soon the progeny begins to feel his whole nature changing, and as a taste for normal food atrophies, a desire for fresh blood begins to assert itself with a maddening tenacity. The discipline of Nascence develops, and he begins to notice that his very presence has the power to profoundly disturb the sleeping -- an effect that gives him a strange sense of renewed energy. By this time, he has either been noticed by the Strigoi or will seek them out himself. Upon his first taste of Strigoi vitae, the transformation is complete.

If a mortal cannot find Strigoi blood to insure his ghoulish future, the transformation will eventually take a turn for the worse, and his body will begin to decompose. If no infusions of vitae are allowed to renew his tainted blood, he will die within ten to fifteen years of receiving the Witch's Kiss.

There is one interesting rumor, however, that may provide a glimpse of possible redemption. Some say that the transformation can be reversed at any point before the progeny drinks Strigoi blood and becomes a full strigoi vii. All that need be done is locate the creature that infected him and kill her, driving a stake through her heart and filling the mouth of her severed head with holy wafers....

Strigoi Mort

Upon death, a properly Embraced strigoi vii will rise from the grave as the much deadlier strigoi mort, or "dead vampire," hereafter referred to as "Strigoi."

A Strigoi is much like a Nosferatu; and worse still, the rebirth process often adds a second layer of deformities. As a result, more Strigoi are infected with such flaws as "Putrescence" and "Parasitic Infestation" than their marginally more fortunate cousins. The Strigoi are solitary vampires, preferring to dwell in the wilderness like outcast monsters, friends to the lowliest animal life on earth. They are known for preying on sheep and cows with just as much frequency as humans, and often -- foolishly, it may be said -- return to the same village over and over again, draining the livestock as well as the blood of their old friends, surviving family, and available enemies. The Strigoi are also more spiritually warped than the Nosferatu, and seem to draw nourishment from an bottomless well of bitterness and spite. There is no higher culture among the Strigoi, no real sense of community, no vast warrens peppered with subterranean artworks. The closest they come to such trappings of civilization are their sabbats, great midnight revels usually held on St. Andrew's Eve (November 11) and St. George's Eve (April 22). At these times the Strigoi gather around a bonfire to exchange stories, bleed captives, and dance with their ghoul cousins. These sabbats also serve another important function, for they mark the Strigoi calendar. The Strigoi are at their most powerful during winter, and the months between the sabbats find them at the peak of their powers. After St. George's Day, they become almost dormant, laying low until the summer passes, awaiting their resurgence on St. Andrew's Eve. These two holidays are closely marked by Romanian peasants, and even today only a fool will venture out of doors during the evenings preceding them....

There may be one aspect of the Strigoi which brings a small degree of solace to the human community, and that is the limitations of their Embrace. A Strigoi may only Embrace mortals of two types -- a strigoi vii, and a suicide. The rituals behind both these Embraces are different, but both create a Strigoi as a result.

The Kiss of UnLife

The Embrace of a strigoi vii is a great celebration that usually takes place during a sabbat, most often on St. George's Eve. It is a very painful affair, and one that almost always involves the sacrifice of an unbaptized child. The Strigoi will dance and cavort around the candidate witch, hooting as she devours the child, skeleton and all. After a brief ritual in the Old Slavonic tongue, the Strigoi chosen as her sire will step forward and perform the Embrace. The fledgling is then buried in a coffin and must claw her way out. (Many Nosferatu scholars believe this to be the origin of the Sabbat Embrace ritual.) If she is successful, she may present herself at the St. Andrew's Eve sabbat and she will be accepted into Strigoi "society" as a full member, bound to her sire until he sees fit to release her.

The Judas Kiss

This is the power to Embrace a corpse, and is available only to the strigoi morti. There are certain rules that limit this ability, however. The corpse must belong to a human who has willingly taken his own life. (Although certain Merits may expand this restriction; this will be discussed later.) The mortal may not have been buried for longer than forty days, and may not be interred in hallowed ground or buried at a crossroads -- both actions render the body untouchable to the Strigoi. Additionally, the corpse must not have been embalmed: the Judas Kiss must be preceded by the complete exsanguination of the corpse, and any embalming fluid destroys its potential for resurrection.

First, the Strigoi exhumes the body. Then he must drain it of every drop of blood, no matter how cold or curdled. This is usually done my clawing open the chest and saturating the heart with a stream of vitae from the Strigoi. The heart is then squeezed, allowing the vitae to permeate and unclot the dead mortal blood. After this blood is drained, the vampire allows his precious vitae to fall into the corpse's mouth, and the coffin is then resealed and the body buried.The transformation generally takes two to three days, after which the progeny will awake to his new state, and must claw his way to the surface or be trapped forever, a howling creature aware of only eternal hunger. If he does reach the surface, he may be lucky to find a sire waiting for him. Then again, that all depends on his Sire....

It should be noted that since most suicides wanted to be dead in the first place, they are generally quite upset at being granted immortality. This rage, coupled with an awareness of the aborted monstrosity they have become, often drives them mad -- or madder -- and the Strigoi produce a fair share of failed progeny which must be put to death. Of course, some of these damned souls discover that being granted a second life is a blessing, and these rare creatures often rise to become some of the greater of the Strigoi.

Future of the Strigoi

Fortunately for the rest of the world, both Kindred and Kine, the Strigoi are a dying breed. Increased urbanization, better burial practices (embalming fluid will prevent a corpse from being Embraced by a Strigoi) and a diminishing belief in the supernatural have all taken their toll. But blame for their eventual extinction may not be placed solely on the outside world. Many internal factors spell the doom of this bloodline, including a lack of sophistication, an entrenched xenophobia, a fear of travel, and a paralyzing obedience to tradition and superstition. Not all the Strigoi are like this, however. A few have migrated with the Nosferatu, blending in with their mother clan and adapting themselves to new homes. But these are few, and their potential to create progeny diminishes with every passing decade. One day the last Strigoi will find herself caught under the sun, her entire bloodline passing into myth with the swirl of her scattered ashes.

Information

Nickname: None, but in some parts of Romania, particularly Wallachia, the Strigoi are known as the Moroi.

Appearance: The Strigoi are even more loathsome to behold than the Nosferatu, but their disfigurements tend to remain more consistent than the seemingly random deformities of their cousins. Most Strigoi are bald and leathery, their vermin-infested flesh cracked and oozing with putrescence. They have long, spidery fingers that can stroke the hair of a sleeping child with tenderness one moment, and crush the spine of a horse the next. Their fangs cannot be retracted, and their disproportionate length is the cause of many running sores on their lips and chin. They tend to dress in old and tattered clothing, and most Strigoi have no desire at all for fineries and self-improvement. The older they get, the more corpse-like they appear, and truly ancient Strigoi look more like gaunt demons than anything related to the Kindred.

The strigoi vii are slightly less loathsome to behold, appearing as witches cursed with all manner of physical aberrations: humps, claws, cataracts, and club feet are common. Their breath is rank with the odor of spoiled milk, and all strigoi vii radiate an aura of foulness that makes mortals near them acutely uncomfortable. As they age, ingesting more Strigoi vitae, their disfigurements accumulate until a point is reached where they must be Embraced, lest their deformities cause their mortal death.

Haven: Most Strigoi dwell in the deep forests of Romania, making their havens in caves, old castles, or forgotten crypts.

Background: The strigoi are very similar to ghouls, and each one must drink the vitae of a strigoi mort to survive. They prey on the nightmares of children, visiting them in astral form or the shape of an animal, feeding on their psychic energy and only occasionally drinking their blood. Occasionally, if they find one who meets their criteria, they will Embrace her and she will become a strigoi vii over the course of the next few years. When it is time to cross over to real death, a strigoi vii witch is Embraced by a strigoi mort, and then must drink blood for survival as any other vampire.

Friday, April 18, 2008

The Black Veil




History of the Black Veil

The widespread version of the Black Veil, hosted on literally thousands of real vampire sites across the Internet, is the result of a collaboration between Father Sebastian and Michelle Belanger. The original concept for the Black Veil was developed by Sebastian in the early nineties. It was strongly influenced by a widespread code of conduct honored in the New York fetish scene with overtones of chivalry borrowed from the Renaissance circuit. The first printed mention of the Black Veil appeared in the 1998 Vampyre Almanac. Here, the Black Veil was not specificly laid out as a document unto itself but instead was referred to in loose and general terms which stressed both secrecy and chivalry. Sebastian's later version, published online in 1999, had seven rules of behavior which perpetuated the focus on secrecy and a chivalric attitude toward fellow vampires. A combination of the flowery wording, points which stressed respect toward elders and hospitality, and the fact that there are specifically seven rules reminded too many people in the online vampire community of the Traditions of Vampire: the Masquerade -- a popular vampire-themed role playing game. While many in the worldwide vampire community saw the need for an ethical code of conduct and embraced the Black Veil in spite of its alleged connection to the game, the document still received some criticism because it could confuse real vampires with vampires from an RPG.

I got involved with the Black Veil because I liked the idea of a code of ethics that could serve as a guideline of behavior within the real vampire community. But, like many others familiar with V:tM, the version Todd had online in the late 90s was a little too reminiscent of the Traditions for my taste. Originally, I asked permission to update it and offered that my name be left off -- I had no problem with the revision being passed off as Todd's own work, so long as the changes I considered so crucial were made. In the end, my name got associated with the rewrite anyway. This first revision also became known as the Thirteen Rules of Community, for I'd expanded on the original seven rules specifically to draw comparisons away from the Traditions of the Masquerade. While this revised version of the Black Veil still received some amount of criticism for its sometimes melodramatic turn of phrase (as I said, there's no getting away from that in the vampire community), it was a good compromise between the original spirit of Todd's work and an ideology more specific to the evolving real vampire community. My main concern with the original Black Veil was to develop wording that retained the spirit of the code without calling to mind an RPG.

If it were to fly as a code of conduct, as many people as possible had to take it seriously. Apparently I did something right, because after the first rewrite, the Black Veil became the most widespread code of conduct in use within the international community, and it clearly inspired numerous factional groups to develop similar codes with their own wording. In 2002, another revision was released, stream-lining the wording, clarifying meaning, and trimming the total rules from thirteen back to seven. At this point, the document had established itself as an entity in its own right, and the fact that there were seven rules no longer automatically classed it as derivative of Vampire: the Masquerade. Since its inception in the mid-nineties, the Black Veil has grown to be one of the most widely recognized tenets of the vampire subculture. It has been referred to in numerous books, and it was even given references in a February 2004 episode of CSI: Vegas. The Black Veil is mentioned in SciFi's bio of its resident vampire, Don Henrie, and through his work on Mad, Mad House the Black Veil, and the culture it represents, have gained unprecedented exposure and acceptance in the mainstream world. --Michelle Belanger

http://www.michellebelanger.com/

http://www.michellebelanger.com/blackveil.php


http://www.sahjaza.com/

http://www.kheperu.org/

Thursday, April 17, 2008

Michelle Belanger


Best known as the author of the Psychic Vampire Codex (Weiser, 2004), Michelle Belanger is a skilled energy worker and the founder of House Kheperu. An arresting figure of six foot one, Michelle is a dynamic speaker as well as a gifted writer. Creative and driven, she does not limit herself to magick and psychic phenomenon alone but engages in a variety of creative outlets from fiction to music to the visual arts.

M
ichelle Belanger's childhood could be a story straight from Ray Bradbury's October Country. Her small Midwest town featured a haunted public library, and it celebrated the return of flights of turkey vultures every year on the Ides of March.

Her home life was stranger still. Raised by her maternal grandmother, psychic experiences and ghostly phenomenon were common occurrences in the Belanger household -- but were only discussed behind closed doors. Her estranged grandfather's family included healers, tea-leaf readers, and circus freaks who openly embraced their extraordinary gifts.

Afflicted with a life-threatening heart defect from birth, Michelle endured both out of body experiences and near death experiences before the age of five. Her mother believed that these traumatic brushes with death made Michelle more sensitive to psychic phenomenon. Michelle herself believes that her skills arise from a combination of genetics, environment, and fate.

Michelle's psychic inheritance manifested in a variety of ways, the most remarkable of which was psychic vampirism. Michelle identified and came to terms with this condition while still in her teens. Her pioneering work, The Psychic Vampire Codex (Weiser, 2004), details concepts and techniques that she learned through an intensive study of her vampiric experiences. All of Michelle's other works similarly benefit from her unique combination of personal experience, intellectual insight, and intensive research. A firm believer that psychic perceptions are something that anyone can cultivate, she teaches a variety of techniques based upon a fundamental perception of psychic energy.

Michelle is a prolific individual involved in a number of areas of creative expression. Her non-fiction works include the best-selling Psychic Vampire Codex, (Weiser, 2004) Sacred Hunger, (Dark Moon, 2005) and Psychic Dreamwalking (Weiser 2006), The Psychic Energy Codex (Wesier 2007), Vampires in Their Own Words (2007), and The Necronumina (Llewellyn, 2008). She is co-author of The Vampyre Almanac (Sanguinarium Press, 2000), and V: the Book of the Strigoi Vii, (Aangel Publishing, 2003). Her fiction includes The Enchanted Wood with artist Kimberlee Traub (Shadowfox, 1996), The Jewel of Desire (Incubus Chronicles, 2006) and a collection of supernatural short fiction, These Haunted Dreams (Dark Moon, 2006). She is also working on a Tarot deck with artist Jackie Williams, release to be announced.

A talented vocalist, Michelle can also be heard on URN's Desecrated Ashes (2003) and Dancing with the Demigods (2006), Nox Arcana's Winter's Knight (2005), Xyla's Esoterica (2007) and the solo album, Blood of Angels (2006). She wrote the lyrics to several URN songs, Esoterica's "The God Within," and for all nine tracks on Blood of Angels.

Michelle has been involved in a number of television shows and films documenting the vampire subculture. She can be seen on the History Channel's special Vampire Secrets as well as A&E's special The Secret Life of Vampires. She has also gained notice in France thanks to Laurent Courau's book and documentary Vampyres: When Reality Goes Beyond Fiction. Other credits include Night Bites: Women and Their Vampires on WE! and American Vampires on Britain's XYTV. She also been consulted for projects on SciFi, and her work was referenced in an episode of CSI. Her radio appearances include the X-Zone, Peter Anthony Holder's Soul Call, and Coast to Coast AM.

A skilled energy worker, Michelle is the founder of House Kheperu, a magickal society with a unique style of energy work detailed in The Psychic Vampire Codex. Michelle teaches classes around the country on dreamwalking, energy exchange, spirit communication, and many other fascinating topics. Her latest releases include "The Psychic Energy Codex," an energy work omnibus for students and teachers alike, and "Vampires in Their Own Words," a fascinating look into the modern vampire community.









http://www.michellebelanger.com/